Mr. Fu Luofei’s Art Auction Special, Mr. Huang Xinbo’s Works and Collection, Guangdong Jingcheng Suozhi 2018 Spring Auctions, May 12, 2018 Sale Catalogue

$80.00

Paperback auction catalogue.
Text in Chinese. Illustrations in color. Light superficial marks on covers. Pages are clean, contents are clear throughout. Binding is sound. Two catalogues in one as published.
28 lots, Mr. Fu Luofei’s paintings, Huang Xinbo’s works and collection including works by Fu Luofei such as “women”, “sunset pastoral return”, “stormy march”, “under the willows” and “late return”, Li Xiongcai, Ma Shizeng and Chen Ziyi, wood block paintings by Huang Xinbo such as “Nie Er”, “Lu Xun”, “Lonely”, “Contemplation”, “Wharf” and “The People of Victory”.
Fu Luofei (1897-1971), was born in Wenchang, Hainan province. He graduated from Shanghai Fine Arts College in 1925. In 1930, he was admitted to Accademia Di Belle Arti di Napoli, and followed Professor Carlo Siviero and Professor Glusep Caschro. In 1935, three of his works were awarded the “Venice international art fair”. In 1945, he joined the Communist Party of China. Later, he taught at Sun Yat-Sen University and South China University of Technology. He served as vice chairman of the Art Association of Guangzhou, and the members of Guangdong CPPCC. As a Chinese modern artist, Fu Luofei’s works reflect the society at that time. Romantic painting style in his earlier works to realism for later paintings.
Huang Xinbo (1916-1980), born in 1916 in Guangdong Province, was a print-maker, painter and comics artist. In 1934, he was admitted to the Shanghai School of Fine Art to study Western painting and joined the Woodcut Research Society. In 1945, he arrived in Hong Kong and worked as a field reporter at the China Business Daily until early 1947. As a founder of the Human Art Club, he also established the Human Publishing House in 1946. After going back to the mainland in 1949, he was appointed professor of the South China People Academy of Literature and Art (1950), Chairman of the Guangdong Division of the China Artists’ Association (1956), Chairman of the Guangdong Division of the China Federation of Literary and Art Circles (1960). After the Cultural Revolution, Huang presided over the resumption of the Guangdong Art Academy and the Guangdong Division of the National Association of Chinese Artists, and was the vice chairman of the Association. Huang highlighted the subject of the work by structuring the image with a meticulous application of black and white tones and simple but refined shapes.
Size: 8.2×10.6×0.2 inches.
56 pages.

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